Artist Bios
Orchestral Excursions
The Polish Radio National Symphony Orchestra,
founded in 1935 in Warsaw by conductor-composer Grzegorz Fitelberg,
was reformed in 1945 in Katowice. The list of conductors and soloists
who have worked with the orchestra includes Artur Rubinstein, Leonard
Bernstein, Lutoslawski, Penderecki, Isaac Stern and Maurizio Pollini.
The Symphony has made more than 200 recordings for EMI, Decca, Newport
Classics, CRI, Naxos and Leonarda.
Joel Eric Suben, a frequent guest conductor
of major Central European orchestras, has led first performances and
commercial recordings of nearly 350 works by American and European composers,
among them Pulitzer Prize winners Roger Sessions and Leslie Bassett.
He made his debut with the Warsaw National Philharmonic Orchestra at
the Warsaw Autumn Festival in 1998. Since that time, he has repeatedly
conducted archival recordings of the symphonic works of Karol Rathaus
and other Polish composers at the invitation of the Polish Radio. His
work is represented on some 30 commercially released CDs.
Suben studied conducting with Jacques-Louis Monod, Witold Rowicki,
Otmar Suitner and Sergiu Celibidache. While still a student, he led
the first Boston performances of Service Sacré by Darius
Milhaud with members of the Opera Orchestra of Boston. As a finalist
in the 1976 Hans Haring Conducting Competition of the Austrian Radio
at Salzburg, Suben was called back three times by the jury to prepare
a performance of Six Pieces for Orchestra, Op. 6, by Anton
Webern. After his 1977 debut with the American Symphony Orchestra in
New York, He won a Fulbright scholarship for advanced study in Poland,
where he devoted all of 1978 to organizing performances of American
music. His activities as a composer encompass some 60 published works.
Renata Artman Knific's international career
began in London when she joined the English Chamber Orchestra. Tours
of Europe, North and South America and Asia followed. Professor of Music
and Chair of the String Department at Western Michigan University, Ms.
Knific has also taught at the Encore School for Strings, Cleveland Institute
of Music, Interlochen Arts Academy and the Lancut Festival in Poland.
As violinist of the Merling Trio, Knific performs 20 to 40 concerts
annually throughout North America, including appearances at Merkin Hall,
Carnegie Hall and the Banff Center for the Arts. She has released two
CDs with the Trio and has premiered many works written for the group.
The Trio was a finalist for the Naumburg Foundation Chamber Music Award
in 1994. Knific has also appeared in chamber music festivals throughout
Europe, the United States and Canada.
Pamela Frame has appeared in many major
concert halls in the United States and Europe. She was honored with
a National Endowment for the Arts Solo Recitalist Grant and has presented
more than 300 concerts in residencies in Texas, South Carolina, Ohio,
Illinois, Pennsylvania and New York. Ms. Frame toured and recorded in
the United States and Europe with the Orpheus Chamber Orchestra from
1985-1989 and was a member of the Eastman School of Music faculty from
1989-2000.
She has frequently participated as a chamber musician and teacher at
festivals in thirteen European and Asian countries as well as in American
festivals including the Manchester Music Festival; the Quartet Program;
the Skaneateles, Algonquin and Marlboro Festivals and Festival Casals.
Her CD of music by Rebecca Clarke and Amy Beach is available on the
Koch label. Ms. Frame teaches privately and in the Pittsford, New York
schools. She studied with Ronald Leonard, Bernard Greenhouse and Mistislav
Rostropovich.
Robert Weirich leads an extremely active
career as a pianist, teacher, author, composer and artistic director.
As a pianist he has performed in musical centers throughout the country,
including Alice Tully Hall, the Kennedy Center and Chicago's Orchestra
Hall, and at such summer festivals as Tanglewood, Ravinia and Marlboro.
The winner of several prizes in several important competitions, Weirich
received a Solo Recitalist Fellowship from the National Endowment for
the Arts and was one of the first winners of the Pope Foundation Music
Awards, a substantial cash prize to support innovative music projects.
In 1998, Weirich joined the faculty of the Conservatory of Music at
the University of Missouri in Kansas City, where he holds the Jack Strandberg
Missouri Endowed Chair in Piano. He previously taught at the Peabody
Conservatory of Music and at Northwestern, Tulane and Syracuse. He has
given numerous recitals and master classes across the United States,
and was the artistic director of the Skaneateles Festival in New York's
Finger Lakes District from 1991-1999; during that time the Festival
received three Adventuresome Programming Awards from ASCAP and Chamber
Music America and attendance more than doubled.
Gilbert Sabitzer studied clarinet at the
Carinthian Provincial Conservatory and saxophone at the Vienna Academy
of Music. In 1988 he became a member of the Carinthian
Saxophone Quartet, heard in this recording. Other members of
the Quartet are Gerhard Lippauer, Rudolf Kaimbacher and Günter
Lenart. In addition to nuerous concert appearances in Austria, the Quartet
has appeared in Egypt, Turkey, Bosnia, Poland, Italy, Germany, Denmark,
Great Britain, Luxemburg and the United States. The group has also and
collaborated with various musical and theatrical groups, and has recorded
for radio, television and several record labels.