|
Baroque for the Mass: Ursuline Composers of the 17th Century CD: Motets and anthem :Andrea Folan, soprano; Roya Bauman, alto; Kirk Doherty, tenor; Brian Brooks and Deborah Howell, violins; Robert Haskin, organ continuo. Choral Mass:University of Arkansas Schola Cantorum, Jack Groh, conductor. Choral soloists, strings and organ accompaniment. (The Ursulines are a religious order.) Leonarda Catalog #LE346. Total Time 67:21 Leonarda Home Page. Composers' bios, Ursuline life, and Notes. Musicians' bios. MP3s can be downloaded. CDs are $15.99 + shipping & handling. Order Form. Tax-Deductible Contributions Form. (Please help support this website and our recordings.) |
|
||||||||||||||||||||||||
Links to alphabetical list of composers:
Bios and links to all their recordings at this site
| A | B | C-E | F-G | H-I | J-K | L | M | N-Q | R | S | T-V | W-Z |
Contributions
are essential to maintain our tax-exempt status and thus
affect our ability to raise funds from government, corporations and individuals.
Funds are used to record new works; maintain the website; provide CDs
to radio stations; pay composers, publishers and artists; and pay for
general operating expenses such as accounting. Just
click here to make a
tax-deductible contribution. Thank you! |
Reviews: CD: " The sound on this CD is excellent. The motets almost echo in reverberant, church-like surroundings...I would recommend purchasing this disc." Karin Pendle, IAWM Journal, Vol. 6 nos. 1/2. * "This CD is highly recommended." Barbara Harbach, Women of Note Quarterly. Reviews: MOTETS and ANTHEM (1998 recording): "Folan sings with impeccable tone and diction with clear, bell-like tones. Her melismas and ornamentation are natural sounding and always fit into the context of the melodic lines...[Regina Caeli:] Solos, duets, and full trio alternate creating a luxuriant Baroque motet with the voices always distinct yet carefully blended together for a close-knit ensemble....Brooks, Howell, and Haskins [instrumentalists] are sensitive and attentive artists, and it is a joy to hear their impeccable performances, outstanding intonation, with the refinement and elegance of Folan's singing. Barbara Harbach, Women of Note Quarterly. * "The motets of Peruchona are the treasures of the recording. The opening Christmas motet Ad gaudia, ad jubila, scored for soprano, strings, and continuo, is exuberant and features Folan's best work on recording; the imaginative continuo playing of organist Rob Haskins shines. Folan, alto Roya Bauman, and tenor Kirk Dougherty excel in an ornate setting of Regina Caeli, and Folan is excellent in the solo motet Solvite, Solvite. Craig Zeichner, Early Music America * "The three singers involved in these pieces are of excellent quality, and they are joined variously by an ensemble of two violins and organ. Barker, American Record Guide. * "[Folan's] is a lovely, flexible sound, perfectly suited to this repertoire, and the instrumentalists are able partners." Karin Pendle, IAWM Journal * The Peruchona and Isabella Leonarda motets are performed brightly and with verve, professionalism and enthusiasm. The sound balance is excellent. The works have been compared to Monteverdi, and I would agree with that and add the best of Buxtehude as well. Paul Shoemaker, www.musicweb.uk.net Reviews: FIRST MASS (first issued on LP in 1982): "The well-wrought Mass by the record company's namesake, Isabella Leonarda, composed while Bach and Handel were still schoolboys, foreshadows some of the glories they were to produce while still preserving some cadences that recall the age of Monteverdi." Joseph McLellan, The Washington Post. * "...an inspired composer... [Isabella Leonarda's] Mass for four soloists and chorus abounds in spontaneous, individual touches...Throughout the Mass she breathes new life into the familiar texts...glowing, deeply felt performance." Rupert W. Crumb, The New Records. * "The style [of the Mass] is close to Carissimi's liturgical works. It is marked by skill, intelligence, and imagination." American Record Guide . * "It is a fine work; one which should be available. Anyone who loves music from this period will enjoy this performance very much." Paul Shoemaker, www.musicweb.uk.net * Performance: "The Schola Cantorum at the University of Arkansas under the direction of Jack Groh brings a lively and well-trained ensemble to this performance of Leonarda's Mass. The soloists both vocal and instrumental add immensely to this successful recording." Women of Note Quarterly. CREDITS: Recording: Recording producer and post-production: Marnie Hall. First Mass, Op. 18 recorded by Malcolm Addey. Marnie Hall, musical producer. Recorded February 19 and 20, 1982 at St. Paul's Episcopal Church, Fayetteville, Arkansas. ADD. Motets and Anthem recorded by Marnie Hall, July 20 and 21, 1998 in the Colgate Rochester Divinity School chapel, Rochester, New York. DDD. Support: This recording is made possible with public funds from The New York State Council on the Arts, a state agency. Major funding for First Mass, Op. 18 provided by the Arkansas Arts Council and Ms. Lily Peter. Many thanks to the Ursulines, whose advance orders for this CD covered the recording session costs for the motets and anthem and made this release possible.Music Publisher: ClarNan Editions, Attn: Barbara Garvey Jackson, 235 Baxter Lane, Fayetteville, Arkansas 72701, phone 501-442-7414. Cover and Graphic Design: "Nuns in Choir," Master of St. Jerome, ca. 1421, by permission of the British Library. Graphic Design: Marnie Hall. © Leonarda Productions, Inc., 1998. All rights reserved. |
Add to cart
View cart
Order Form
| Next CD (#LE345) | Prior CD (#LE347) | Recording Tips and Services | Leonarda Home Page |
| Compact Disc Index | Audio Cassette Index | LP (vinyl) Index | Special Products Index |
baroque music by women composers, motets by women composers, sacred choral
music, 17th century music, classical CDs, recordings, music by nuns (search
term, although the Ursulines do not live in convents and do not classify themselves
as nuns)